Archive for September, 2009

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Custom Brackets Digital PRO M Rotating Camera Bracket Kit for Digital & 35mm SLR Film Cameras.
 
Manufacturer: Custom Brackets
Customer Rating:
 
List Price: Varies based on product options
Sale Price: $379.95
Availibility: Usually ships in 2-3 business days
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Product Description

Digital PRO-M Kit, Rotation using special roller bearings, fold in legs, and retractable upright (Has grip on left side). For all digital cameras using a flash with a Canon or Nikon Cord.** **Not recommended for use with Canon Speedlite Transmitter ST-E2, or Metz 54, 70, and 76 (Grip on bracket will block the infrared signal). We suggest the Digital PRO for the use with these products.

Product Details

  • Professional looking design
  • Easy to rotate using roller bearings from horizontal to vertical
  • Anodized black aluminum for lightweight and strength
  • No lubrication needed - designed maintenance free
  • Adjustable flash height with tilt for eliminating red eye and shadows

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Customer Reviews

it's heavy, and a bit more than I need
 
Review Date: July 2, 2010
Reviewer: James Powell, New York
I went into a shop and checked out both the PRO M, and the PRO E, fully anticipating that I'd want the pro M. But once I compared them I realized the ProE was lighter and easier to use. Plus, you don't need to buy any attachments. I was really annoyed that the ProM is more expensive, and also doesn't include the attachments needed to actually connect the camera to the bracket, as the ProE does. Who the heck wants a product that absolutely cannot work unless you buy another part. Don't insult your customers... include it and adjust the price if you need to.

The biggest improvement that the M has over the E was that it's got 2 legs at the base that you can pull out to stabilize the whole thing when you want to put down your camera. It would have been nice to have that, but the extra weight and cost made it not worth it to me.

The only other improvement the M has over the E is that you can adjust the height of the flash, but the Pro E provides plenty of space so I didn't think it was necessary. Not to mention the downside of that feature was the extra weight of the additional metal and joint. And that joint is just one more thing that can go wrong later on.

As for the quick release, i was worried I'd hate not having it, but i didn't. I found that I'm not swapping the camera on and off of the bracket enough to warrant buying the quick release. Also, whenever I do take the camera off of the bracket, I'm certainly not bothering to do it at anytime that I'd need to be especially fast with it.

My opinion is, save your money, go with the proE. I love mine!

Oh, and if this is your first bracket, don't forget to make sure you have a cable that'll allow you to connect the flash to the camera.
Outstanding
 
Review Date: January 8, 2010
Reviewer: RockinRod, TX, USA
Outstanding and essential accessory. Extremely high quality at a high price, but the best is always expensive.
Ass Kicking Bracket
 
Review Date: October 12, 2009
Reviewer: J. Plotke, Brightwaters, NY
while this bracket costs more then most people cameras, if you are looking for it you know what its about. This is by far the best bracket on the market with no close competitor, it works phenomenally. the grip is comfortable and easy to hold and raises the flash up nice and high to get rid of unwanted ear shadows and red eye.

the ball baring rotation is smooth and locks in solidly.

should be a standard accessory for all wedding and indoor event photography

i use my on my 5d and my 50d both with battery grips, interchangably.
Best Ever!
 
Review Date: September 22, 2009
Reviewer: K. Wang, New Orleans, LA
A little bit expensive. But you get what you paid for. Extremely well made. You can't go back to those cheap flash brackets once you own this. Go for it, you will not regret.
The Best of the Flash Bracket Bunch-for My Use
 
Review Date: September 13, 2009
Reviewer: I. Seligman,
There have been dozens of flash brackets on the market. To maintain the flash above the lens in both horizontal and vertical shots, some awkwardly flip the flash, and (to me) better ones smoothly rotate the camera. There's perhaps 8 main bracket vendors now.

Every wedding type or PR event I went to, I chat with the photog when they were on break, and I got to hold, if not try most of their flash brackets. People quickly get used to the quirks of whatever model they buy. Cost and size can be a main concern for amateurs and semi-pros alike. I quickly realized I didn't like the constant flipping of the flash. It distracted me and my subjects, too. Rotating the camera requires a more expensive mechanism. It can be a faster technique than taking my eye from the viewfinder, and flipping the flash. (Rotating the camera, instead of flipping the flash, looks just a touch more professional, to me!)

The Custom Brackets Pro M kit, which rotates the camera and has several necessary plates comprising the "kit", is the best for me. Someone really really thought things out on this one, from the quality of the grip, the host of accessories, to the padded support in front that supports your left hand as it zooms the lens in and out. There are many adjustments possible, to solidly fit any 35 mm camera and flash. If you are gonna shoot weddings and similar events, this model is worth the upgrade, quality, and cost over competitor's models. Cost? You're talking perhaps $100 more-not much at all if you shoot a few events a year, and really profit from the bracket's quality! My main concern was its weight, and I learned how to "cradle it" when not shooting.

Pro's:
-Superb workmanship and one year warranty
-Easy and quick camera rotation, and angle of flash adjustment
-Camera position can be moved forward or back (it cleard the cord from hitting my hand)
-Quick release camera plate available
-Many fine adjustments to customize the fit of camera and flash
-Support bar in front (on newer models) is well thought out
-It's easy to raise and lower the flash height
-I never take my eye from the viewfinder, as needed with many flip flashes, and miss a shot
-Little feet swing out to let it sit solidly upright on a surface
-It's a good fit for my size 7-8 hands.

Cons:
-It's definitely heavier than smaller brackets-I recommend using it wth vibration reduction/image stabilizing lenses, if you hands get fatigued.
-It clicks somewhat loudly as it locks securely at full horizontal and full vertical (not a big problem, as you can: 1. not rotate it during times of silence, 2. learn to not rotate it fully till it clicks, or 3. if it bothers you,drill and place a removable "stop" to keep it from clicking and locking.
-It's bigger than other brackets, (they all look a bit intimidating to your subject!)
-Cost! If the price was lower, they would have way more buyers, and profits. I thought long and hard on this purchase.

Bottom line, our hands our camera rigs, and our strength vary! Like buying a car, catcher's mitt, or camera, hold and test a few brackets, for at least a few minutes, to see how it fits you. There's no "best one" that will please everyone.
Only you know what feels best for you-a flipping of the flash or rotation of the camera; a tiny bracket or a full size one.

Nikkormat EL-W SLR Film Camera

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Nikkormat EL-W SLR Film Camera
 
Manufacturer: Nikon
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Product Description

A built-in self-timer lever operates at 10 sec which also acts as a AE (Automatic Exposure) Lock when you are in AUTO mode. There is a single 3 mm (PC) socket, threaded for a Nikon synchronizing cord and a hot accessory shoe contact with built-in safety switch. FP and X synchronization are available; M and MF class bulbs can also be used. Electronic flash - moderately fast sync speed of 1/125 sec. Includes Nikkor 50mm, Vivitar 28mm, and Vivatar Series 1 70-210mm telescopic lenses All Nikkormats are extremely well made camera. Robust in construction and reliable in performance, the ELW, just like any other Nikon oldies is made of a die-cast aluminium alloy in black finish. The non-interchangeable eye-level prism finder showing 92% of the picture field. A standadrd Nikon K screen with matte-fresnel field and central split-image rangefinder surrounded by a microprism grid. The shutter speed set is visible in the viewfinder as is a green follow pointer for match needle metering. IF you have operated a Nikon FE, There is a great deal of similarities in controls, layout and viewfinder information between the two. You can say the FE is a compact, imptoved version of the bulkier ELW. Both series depth-of-field preview button and other than the professional level F series cameras, the Nikkormat EL/FT series remain as the only Nikon bodies that still provide a mirror lock-up control. The meter provides centre-weighted through-the-lens exposure measurement with automatic or manual shutter speed control at full aperture or at shooting aperture. The circuit is powered by a 6V silver-oxide or manganese battery located in a compartment within the mirror chamber, below the main reflex mirror. The meter has a greater sensitivity range than the mechanical counterpart, the Nikkormat FT-2 which ranges from EV1 to EV18 with a film having an ASA of 100 equivalent to f1.4 at 1 sec. to f16 at 1/1000 sec. The electronic body of the ELW has a film speed range of 25 to 1600.

Product Details

  • Fully automatic exposure reflex camera with a sole mechanical backup speed of 1/90 sec in case of battery failure.
  • The shutter used is an electronically timed, six-blade, all-metal Copal Square ES electronic focal plane with speeds from 4 to 1/1000 sec.
  • A built-in self-timer lever operates at 10 sec which also acts as a AE (Automatic Exposure) Lock when you are in AUTO mode.
  • Die-cast aluminium alloy in black finish. The non-interchangeable eye-level prism finder showing 92% of the picture field.
  • The meter provides centre-weighted through-the-lens exposure measurement with automatic or manual shutter speed control at full aperture or at shooting aperture.

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Fujifilm Fujicolor Pro 400H Color Negative Film, ISO 400, 120 Size USA
 
Manufacturer: FUJIFILM
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Sale Price: $9.99
Availibility: Usually ships in 1-2 business days
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Product Description

Pro 400H brings smooth, natural skin tones and neutral gray balance to the ISO 400- speed range. It is ideal for portrait work, as well as indoor or outdoor location photography, particularly in limited light. Note: With the launch of Fujifilm's "Fujicolor Pro" film line, Fujifilm has renamed its high-speed color negative films. The current NPH 400 will become Fujicolor Pro 400H

Product Details

  • Excellent Neutral Skin Tones
  • Rich Gradation
  • Unbiased Gray Balance

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Polaroid i-zone Convertible Pocket Instant Camera w/ Changeable Faceplates
 
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Polaroid One 600 Classic Instant Camera Bundle

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Polaroid One 600 Classic Instant Camera Bundle
 
Manufacturer: Polaroid
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Product Description

# Polaroid 642952 Polaroid One 600 Classic Instant Camera. POLAROID ONE 600 FLASH INSTANT CAMERA # Just point & shoot - no focusing required # Built-in auto flash provides just the right amount of flash for every shot # Flash range: 4 to 10' # Enhanced red eye technology # Never needs batteries # Self-timer # Great shots in any light --PLUS-- Polaroid 600 Color Instant Film 10-Pack's

Product Details

  • Polaroid One 600 Classic Instant Camera
  • Polaroid 600 Color Instant Film 10-Pack's

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